ALTERED_DATA'S WPG

White Page Gallery/s is a decentralized and distributed art network born in June 2019: it is an online network for artistic sharing composed of artists, curators, academies, festivals and cultural operators who host independently on their website and without the aim of profit art projects made and curated by others.

Read more on Medium for White Page Gallery/s - Art curating and human values

Altered_Data's WPG is an open space for counter narratives and experimental works. I am open to all sorts of proposals, everyone has an unique voice and I will be happy to help you in telling that story giving space to your poetry on my WPG. If you are an artists or a curator or both and you would like to exhibit your projects outside your own space, you are more than welcome to use this space. Get in touch with me and lets see what we can do. You on my website are very welcome! Proposals are free but acceptance is not mandatory, of course.

#glitchart, #netart, #internetart, #databending, #conceptualart, #newmediaart, #dirtynewmedia, #zombiemedia, #remix, #memes #storytelling, #newaesthetic, #divineaesthetic.

I suggest that every artists will do the same, create a White Page Gallery on your website and host other people's works.

#solidarity #inclusivity #generosity #hospitality

#novanity #nohierarchies #nogatekeepers

WHITE PAGE GALLERY/S IS ONLINE AT HTTP://WWW.WHITEPAGEGALLERY.NETWORK

A charity group show to crowdfund donation for organizations involved in the Coronavirus emergency.

Donations campaigns, Institutions and Charities supported by our show were: Brave Space Alliance EMERGENCY Rete del Dono Italia non profit Telefono Rosa - Pagina Ufficiale Maryland Food Bank Food Bank For New York City Doctors Without Borders/ Médecins Sans Frontières (MSF) UNHCR, the UN Refugee Agency and others campaigns available via Gofundme and other crowdfunding platform.

Artists part of the show:

Sara Goodman, FEWSTR, Anna Utopia Giordano, Claudia Chirianni & Rino Petrozziello, Sara Bonaventura, Ángela Leyva, Daniel Temkin, Negin Ehtesabian & Patrick Lichty, Giulia, Elena Romenkova and Christian Munch, Paul Hertz, Sofia Crespo, Andrew Pouliot, Ian Keaveny, Martha Hipley, Luka Moncaleano & Fuori Visioni - Festival Arte Contemporanea, Michaël Systaime Borras, Andrea Roccioletti, Sabrina Rodriguez, Sreć, Heinz Schielmann, Yvana Samandova and Paola Pinna.

A selection of generative art and glitch art works, audio and video. Rino Petrozziello is an Italian multimedia artist and creative technologist. Rino says: "My works show a strong versatility thanks to the simultaneous use of several artistic languages such as music, video, electronics and human computer interaction. Expressiveness, DIY attitude and innate passion for creating experimental artefacts come to light through the development of apps, music software and hardware, multimedia installations, websites and audio-visual performances."

https://rinopetrozziello.com/index.html

Co-curated by Domenico Barra and Karina Pálosi

Co-hosted by Unstable.Media's WPG and Altered_Data's WPG

"As an artist, I've always wanted to participate in the dialogue of art with other artists." Jeff Koons

"Here we come, Jeff!" The Other Artists.

This is the the first co-hosted and co-curated show made in White Page Gallery/s.

The Koonsthalle - Real Visual Luxury is not a tribute, neither a celebration, of Jeff Koons and his works.

First of all, the show is an invitation to open a dialogue about the state of the art of the contemporary art world. A world going through a massive update totally influenced by the rise of digital media, above them all the internet, and the cultures springing and spreading from this shape-shifting scenario. A new context where we, digital and new media artists, are a big part of, influencing it with our works, practices, languages, aesthetics. Things are moving on. It is a slow process but it is happening. Digital and new media artists are important and relevant voices in the discourse of contemporary art. Jeff Koons can be seen as the metaphor of the rise and fall of the status quo of contemporary art that, like it or not, has influenced us some how. As stated by Jeff Koons, he always wanted to participate in the dialogue of art with other artists. We are the other artists. Who better than us? The digital artists. The Koonsthalle will then also be a show about contemporary art from a perspective of digital artists working, learning, making in the context of the world wide web. This online exhibition wishes also to be a testimony of the many changements of the art world and the cultures related to art. We are moving towards a new era where the word contemporary itself is assuming a new meaning.

The Koonsthalle is a show. It is a process. It is happening! And it is happening online on the White Page Gallery/s hosted by Unstable.Media's WPG & Altered_Data's WPG.

Hosted by Altered_Data's WPG - ALICJA WROBLEWSKA - ANDREA PEDRAZZI - FAEZEH HEYDARI - FLORIAN KUHLMANN - HIROTSUGU AISU - INARI PORKKA - NOEMI CAPOCCIA - RENDERFRUIT - SIMONE CISARNI Hosted by Unstable.Media's WPG - AGNESE TONI - AKASHA - ALBERTO CUTERI - BORJAN ZAREVSKI - DOM BARRA - FOREVERMIDI.COM - IAN KEAVENY - JAWEK KWAKMAN - JOSE IRION NIETO - LAURA KARAM - MARIA CHIARA GAGLIARDI - http://thereisamajorprobleminaustralia.com/ - RONNIE S - SYSTAIME

Digitonica about her works. “I have been making digital 3d art for about a year, and my new wish is to make digital collages based on my materials using my own art and photos. I always test new techniques. I am often inspired by old masters, one of my favorite is Hieronymus Bosch. I have some works in which I try to rethink historical pieces. It can be Renaissance (Machine Renaissance) or middle ages or even god theme (Cyber God). Also, I am really into Japanese art and I think that my own art is some kind of symbiosis of ancient art, Japanese madness and modern aesthetics in an ironic way. In music and in art I try to deconstruct familiar forms to rebuild them into something new. I also work with glitches because it makes some weird and wonderful transformations, helping us to see some objects in completely new ways. So my art is just a game, I play with different forms of the past, future and present and mix it. I don't want to show just "brave new world", cold, blue and refined, full of white buildings and white robots.”

https://taplink.cc/digitonica

An original SNES’ rom image had been deeply modified in its code and lead close to the point of non-executability, resulting eventually into a pure glitch generator. Creating abstract patterns endlessly, the program rushes in a romantic streben toward the infinite, beyond computations. Any form of audio or game logic had been lost in the process. The modified software went then executed through a console emulator, the video output recorded for the length of this video; no post editing alterations went applied, apart from a slight dimension resizing. Videogames’ modification is a practice adopted by digital artists and, for the most, gamers. On the art side, seminal is the work upon a Nintendo cartridge made by Cory Arcangel & Paper Rad for their Super Mario Movie (2005). Gamers too use to corrupt or modify roms to obtain almost unpredictable visual effects, and to experiment with playability.

https://forevermidi.com/ https://forevermidi.com/post/178388107602 https://twitter.com/rudypaganini

contact me

DOM BARRA - ALTERED_DATA

Imperfectionist. Multimedia artist. Digital atypical. White Page Gallery/s Firestarter. If you see a glitch, think of me.

ALTERED_DATA'S WHITE PAGE GALLERY