DOM BARRA - ALTERED_DATA


Imperfectionist. Multimedia artist. Digital atypical. If you see a glitch, think of me.


  • HOME
  • BIO
  • DIS/VƏRSƏ 🥀
  • ART PROJECTS
  • INSTALLATIONS
  • WHITE PAGE
  • WRITINGS
  • RESEARCH
  • TEACHING
  • CV
  • CONTACTS

/-\7TERꞫD_{̶D̶4̶T̶4̶}̶PRØ/\/\PTz



In /-\7TERꞫD_{̶D̶4̶T̶4̶}̶PRØ/\/\PTz, I corrupt AI prompts with L33T SP34k, starting from critical quotes I select on AI, art, and glitch culture. These quotes are chosen to inform, provoke, and open dialogue, and I share the resulting images on Instagram as a site-specific intervention. By inserting these destabilised visuals and texts into a platform [Instagram] dominated by like-driven AI imagery, I attempt to disrupt the flow and create space for questions about authorship, authenticity, and machine agency. Here, AI is not my tool—it’s my collaborator in error.


Is this art? Or is it just trash? AI L33t-ter?


To learn more read the text below. To see the project on Instagram glitch click HERE.



“By corrupting the language that commands AI, I invite the machine to stumble, to hallucinate, and to reveal its uncanny, unpredictable inner life. This is not just an error — it’s collaboration, where human intention meets artificial misinterpretation, and new forms of creativity emerge from the glitch.”





/-\7TERꞫD_{̶D̶4̶T̶4̶}̶PRØ/\/\PTz is where I extend my glitch art practice into the semantic core of AI image-making: the prompt itself. I don’t intervene in the dataset or in the model, but in the text that instructs the machine—its main interface with human intention. I corrupt this textual DNA using L33T SP34k, forcing the AI into unfamiliar linguistic territory. Without its usual cues, the system must improvise, producing results that are unpredictable, unrepeatable, and infused with the aesthetic dissonance of computational misinterpretation.


The quotes I use are not random. I select them from writings on AI, art, and glitch art—texts that I believe are important to share, to inform, to provoke, and to build awareness around AI’s cultural and creative roles. These quotes become a vehicle for knowledge-sharing, but also for inviting dialogue, becoming inspiration, food for thought and conversations. I share them on Instagram deliberately, treating the platform as a site-specific space for this project. In a context where AI images often circulate as eye-catching spectacles designed for likes, I push against the current by inserting critical discourse into that stream.


Every image in this series is both artwork and Trojan horse—slipping critical ideas into a space dominated by superficial consumption. The glitch in the prompt mirrors the glitch in the platform’s logic: instead of a flawless, algorithm-friendly image, the viewer encounters something disrupted, distorted, and demanding of interpretation. Uncanny.


For me, there is a deep conceptual connection between AI and glitch: both are systems interpreting inputs based on rules, and both become most interesting when those rules are bent or broken. Influenced by Dr. Ahmed Elgammal’s thinking on AI and D. E. Berlyne’s theory of aesthetic “arousal”—novelty, complexity, ambiguity—I work to limit my control and let the machine act as a collaborator in error. The images that emerge are not mine alone, nor the machine’s—they are the result of our shared glitches, and of doing “the wrong things the right way” to discover what neither of us could have foreseen.



/-\7TERꞫD_{̶D̶4̶T̶4̶}̶PRØ/\/\PTz [$373CT!0N]





This is a selection of images from the project/process.

To see the rest of the images, engage in the dialogue, please, go to the Instagram curated page.
/-\7TERꞫD_{̶D̶4̶T̶4̶}̶PRØ/\/\PTz



|_|51|\|G A p1e(E 0|= 7E(}{|\|0l0g\-/ 7e}{ “\/\/.-0|\|g” \/\/a\-/ }{A2 aL\/\/A\-/2 8ee|\| A |<0.-E 7E|\|e7 0|= Gl17(}{ a.-7. aPPL\-/1|\|G 17 70 A1, \/\/E |\/|1g}{7 7.-\-/ 70 (.-ea7E 1|\/|AGE2 \/\/17 a |\/|0|)El 7}{@ \/\/A2 7.-a1|\|e|) 70 p.-0|)|_|(e 50|\/|E7}{1|\|G El2E.

L33T SP34K quote from an original text by Nick Briz's "How to Glitch AI" for Outland.



DALL-E 2



uS1n' l4n9U493 4z P4r7 0F 7R41n1n' M4k3z 7H3 m0d3L v3ry K0nS7r41n3d 1n CR3471N' 1nSP1r1n' v1SU4l d3F0rM4710Nz. 4.1. n0w cR3473z 17z v1Su4l 0u7pu7 K0nF1n3D By 0ur l4N9u493, l0S1N' 17z PHR33D0m 70 v1SU4lLY M4N1PUl473 p1x3lz pHr33ly W17h0u7 pR3v4R1C4710N Phr0m HUm4N s3m4N71CZ.

L33T SP34K quote from an original text by Ahmed Elgammal's "Text-to-Image Generators Have Altered the Digital Art Landscape—But Killed Creativity. Here’s Why an Era of A.I. Art Is Over" for Artnet.



PLAYFORM



73h g3N3R471V3 41 4R7157 83l13v35 1N 7h353 HYp07H371c4L 1M4g35 45 1F 7H3Y w3R3 4C7u4lly 1M4G35. 7H47’5 73H 7R1cK 0F 17. 41 1m4G35 4R3n’7 1M4g35 @ 4Ll. 7H3y r Gu35535 @ Wh@ 1M4G35 M1gH7 50M3d4Y k0m3.

L33T SP34K quote from an original text by Eryk Salvaggio's "The Hypothetical Image.



STABLE DIFFUSION WEB



4R7 i2 ul7IM473LY 4 3Xpr3SSi0N 0F hum4n PhR33 wilL, 4ND Un7IL c0mPu73r2 h4V3 7h3ir 0wN V3rsi0N 0F 7Hi2, 4R7 CR3473d by 4 c0m- PU73R wIlL 4Lw4y2 b3 7R4c34BL3 b4Ck 70 4 hUM4n D3Sir3 70 CR3473.

L33T SP34K quote from an original text by Marcus du Sautoy's "The Creativity Code".



MIDJOURNEY



41 |-|45 B3(o|\/|3 4 |\/|3(|-|4|\|15|\/| |>|-|o.- 1|\|FL|_|3|\|(1|\|' 73|-| 1|\/|491|\|471o|\|5 OF B1|_|_1o|\|5. 947|-|3.-3|) 4|\||) 499.-39473|) |)474 4bo|_|7 73|-| /<|_|l7|_|.-4l b3|-|4\/1O.-5 OF |\/||_|L717|_||)35 15 |_|53|) 7O |\/|O|)3L o|_|.- “4357|-|371( 53lF,” |>.-3|)1(71|\|' O|_|.- |>|-||_|7|_|.-3 4357|-|371( |)3(151O|\|5 4|\||) 745735.

L33T SP34K quote from an original text by Lev Manovich's "AI Aesthetics".



STARRY.AI



73|-| 9|_17(|-| |-|42 B3(o|\/|3 5O|\/|37|-|1|\|' |\|3\|/ 4|\||) |-|42 b3(O|\/|3 4 3|>|-|3|\/|3.-4|_, |>3.-5o|\|4|_ 3><|>3.-13|\|(3. 42 4 4.-7157, 1 |>|-|1|\||) |<47|-|4.-512 1|\| |)151|\|739.-471o|\|, .-|_||>7|_|.-32 4|\||) (.-4(><. 1 |\/|4|\|1|>|_||_473, b3|\||) 4|\||) B.-34|< 4|\|\-/ |\/|3|)1|_||\/| 7O\|/4.-|)2 73|-| |>O1|\|7 \|/|-|3.-3 17 b3(O|\/|32 5O|\/|37|-|1|\|' |\|3\|/.

L33T SP34K quote from an original text by Rosa Menkman's "Glitch Studies Manifesto".



ART, BUSINESS, FASHION


contact me



dom barra - altered_data